<p>The Rutan Farm is a historic 99 acre farm located on Mattison Avenue north of Branchville in Frankford Township of Sussex County, New Jersey. Listed as the Log Cabin and Farm, it was added to the National Register of Historic Places on August 24, 1977, for its significance in architecture. It includes two contributing buildings, the Rutan Log Cabin and a barn.</p><br>
<h2>History and description</h2><br>
<p>The farm is located on the south slope of Kittatinny Mountain and borders Stokes State Forest. The listing estimates it predates the end of the 18th century. The Rutan Log Cabin consists of two sections, each constructed with hewn logs and notched with half-dovetail joints at the corners. The gable roofs are covered with wood shingles.</p><br>
<p>Fry Pioneer Cemetery is the original cemetery in Fry, Arizona, which was the name of Sierra Vista prior to its renaming and incorporation in 1956. It is a half-acre site, and includes more than 200 known graves, most of which are unmarked. It has sparse vegetation and is surrounded by a chain-link fence.</p><br>
<p>The cemetery is a mile east of Fort Huachuca, an active military installation, completely enclosed by urban development. It is located between Sixth and Seventh Streets in Fry, Arizona, which is an unincorporated community wholly within the bounds of the city of Sierra Vista. It is accessible from both Fry Boulevard and the State Highway 90 bypass. There is sparse vegetation, and no planned walkways or landscaping, having developed organically over the years.</p><br>
<p>The entire cemetery is surrounded by a chain link fence, installed in the 1960s. There is an entrance on the west side. Inside the cemetery is a three-foot brick wall which encloses the family plot of Oliver Fry and his family. The family plot has thirteen graves, all of which have headstones, although one is broken and without an inscription. Outside the family plot, the vast majority of the graves are unmarked. Outside the historic cemetery there are other unmarked graves on the south and east side, some of which have been identified as the resting place of Yaqui Indians. Also outside the historic cemetery, on the east side of Seventh Street, under a commercial parking lot, lie more burial sites.</p><br>
<p>The cemetery was established in 1919 when Oliver Fry buried his wife, Elizabeth. The cemetery was in general use between 1919 and 1958, but now is only open to burials of descendants of the Fry family. The latest interment was a great-granddaughter of Oliver and Elizabeth in 2005.</p><br>
<p>The Chicago, St. Paul, Minneapolis and Omaha Railroad Car Shop Historic District, located in the oldest part of North Hudson, Wisconsin, is a set of buildings built by the Chicago, St. Paul, Minneapolis and Omaha Railway . In 1984 the complex was added to the National Register of Historic Places.</p><br>
<p>Logging grew in the St. Croix valley during the late 1800s. In early years, the only way to get the product out was by floating logs down the river, which tied that transportation to the spring floods. When the West Wisconsin Railroad arrived in Hudson in 1871, it opened up efficient overland transportation and a longer logging season, which helped expand the local lumber industry into a boom.</p><br>
<p>These were boom years for railroads too, and the West Wisconsin grew for a while. In 1872 it moved its car repair and construction shops from Eau Claire to North Hudson, building a set of new shops on the north shore of Lake Mallileau, just south of this district. In 1874 it added a line from North Hudson to Lake Superior at Ashland and Bayfield. In following years West Wisconsin absorbed a Hudson-River Falls company and the St. Paul, Stillwater, and Taylor&#39;s Falls railroad. But in 1878 it went bankrupt and was itself absorbed into the Chicago, St. Paul, Minneapolis and Omaha Railway.</p><br>
<p>The shops the West Wisconsin Railway had built in North Hudson burned in a series of fires in the late 1880s. The Omaha considered rebuilding them in other towns, but settled on rebuilding just north of the buildings that had burned. "Between 1890 and 1891, six large red brick industrial buildings, a wood dry kiln, and a small brick oil house were erected.... The shop buildings were very specialized and primarily single story structures; a wood machine shop and engine room, blacksmith and iron machine shop, passenger and freight car erecting shops, a paint shop, and a two story storage/office building. Large arched doors were placed in every bay on the south side and generally on the north side of major buildings. These doors expedited the conveyance of railroad cars from one structure to another." The large buildings had 16-inch brick walls, 25-foot ceilings, pilastered walls, and cruciform brickwork in their cornices, with light and ventilation provided by big windows and monitor windows above.</p><br>
<p>A paint and upholstery shop and a wood machine shop were added around 1904. In 1916 a major expansion occurred, adding a machine shop, a wheel shop, and a handcar repair shop. The power for all buildings was converted from steam to electricity. A water closet was also added for workers.</p><br>
<p>160 men were employed in the new shops when they opened, with a goal of 500 to 700 workers. The Omaha line built its own rail cars, which was unusual. Along with new construction, the shops performed ongoing overhauls and repairs of their rolling stock. Hours were long and pay was low, with starting pay around 14 cents per hour. The paints carried a risk of lead poisoning, working with heavy machinery brought other risks, and there were no sick or vacation days, or unemployment compensation. In 1907 the workers struck for a 10% pay increase. 150 men walked out, claiming that Hudson paid the lowest wages of the Omaha&#39;s shops. Omaha agreed, and the men were back at work after a day and a half. Another strike in 1925 was more divisive, but the union grew stronger and eventually won shorter hours, vacation, and insurance.</p><br>
<p>But railroads declined with the rise of the automobile and trucking. The Omaha&#39;s business faltered in the 1930s during the Great Depression and passenger service stopped in the 1950s. In 1957, despite resistance from the Hudson community, the Omaha line closed the shops in Hudson, consolidating maintenance to their other shop in Clinton, Iowa.</p><br>
<p>The Omaha line was a major employer in North Hudson for almost eighty years. In the early years, the railroad also served as Hudsons connection to the outside world. The original passenger depot in North Hudson has been destroyed, but these shop buildings are still fairly intact, and tell a story about the history of railroading that isnt present in many communities. Given all this, the shops were listed on the National Register of Historic Places in 1984 and the Wisconsin State Register of Historic Places in 1989.</p><br>
<p>Goodman Building, also known as the Emeric Building and the St. Beryl Hotel, is a historic commercial and residential building, built in 1860 and located at 1117 Geary Boulevard in Cathedral Hill, San Francisco, California.</p><br>
<p>The building is listed as a San Francisco Designated Landmark since February 28, 1975, for the historical cultural value as it was an artist community and not for architectural significance.</p><br>
<h2>History</h2><br>
<p>The building was built around 1860 for French-born Joseph Emeric, possibly as four shorter Victorian houses. The first floor has served as space for small retail shops, in the early years often shops for craftspeople. In 1899 or 1900, the building was sold to Abraham and Sarah Goodman of New York City, who remodeled the building after purchase.</p><br>
<p>After the 1906 San Francisco earthquake and fire there was a housing shortage and as a result the building was expanded and turned into a residential hotel (or single room occupancy). It is possible it was two Victorians combined around 1906, but there are a lack of records. After World War II, the building was residence for many returning G.I.s.</p><br>
<p>In the 1960s and early 1970s, the building became home to the artist commune known as the Goodman Group.</p><br>
<p>In 1973, the San Francisco Redevelopment Agency purchased the building, and then proceeded to try to evict all of the residents, in order to tear down the building and eventually replace it with a more modern structure. In the 1970s and 1980s, Martha Senger served as a lead in the fight against eviction, alongside Charles Turner, John Campbell, Brad Paul, and others. For 10 years the residents fought the eviction. In 1983, 25 residents were evicted, some stayed locally and others moved.</p><br>
<p>Martha Senger led Artspace Development Corp. to created "Goodman 2" arts complex; which included fundraising US$3.5 million and building the new residential building in Potrero Hill (18th and Wisconsin Streets) which was completed in 1996.</p><br>
<p>Mason City Engine House No. 2 is a historic building located in Mason City, Iowa, United States. As the city grew in population and expanded in size in the early 20th century, there was a need to add to the citys fire protection. A 1931 study recommended a new fire station on the south side. Seven years later, the New Deal-era Public Works Administration  approved funding for Mason Citys second fire station and a new water tower. Property was acquired the same year. The local architectural firm of Hansen & Waggoner submitted plans for the new fire station in 1939, and local contractor Rye & Henkel won approval to build it. The PWA provided 45% of the funding with the remainder from local sources.</p><br>
<p>Architecturally, the structure is PWA Moderne, but it favors the Art Deco style over Streamline Moderne. Distinctive features include the hose-drying tower with its layered panels and central vertical piers and the lettering over the fire truck door that is indented into the brick.</p><br>
<p>The new engine company moved into the new station at the end of 1939 and it remained an active fire station until 1973 when it was closed by the city. The building was listed on the National Register of Historic Places in 2022.</p><br>
<p>The C.B. Power Bungalow, also known as The Bungalow Bed and Breakfast, in Lewis and Clark County, Montana in the vicinity of Wolf Creek, Montana was built in 1911. It was listed on the National Register of Historic Places in 1995 for its architecture. It was opened as a bed and breakfast in 1993.</p><br>
<p>According to its National Register nomination, it "is an excellent example of Adirondack/Craftsman style architecture", and it "is a masterful example of Craftsman/Bungalow style architecture at its best. Designed by Robert C. Reamer, the C.B. Power Bungalow, outbuildings and setting embody the rustic ideals which Reamer helped to popularize for early 20th century building. Although his original sketches are not located at this time, historic correspondence and the bungalow itself attest to his involvement in conceptualizing the design. The strength of the Bungalows rustic design links it clearly with Reamers other work, for which he drew upon naturalistic inspiration. Set against a dramatic rise of granite bluffs, this environment not only influences choices of materials, it becomes an integral component of the overall design."</p><br>
<p>The 28 acre listing includes four contributing buildings besides the main house: a library/caretakers residence, a garage, an ice house, and a dog house. The original stable is gone, destroyed by a fire; a horse barn is non-contributing. The patterns of the main houses design "are carried over into the design of the C.B. Power Bungalow outbuildings, particularly the library and the garage. These buildings are small gems of Craftsman design, overshadowed by the Bungalow&#39;s commanding design, yet they capture on a small scale the same qualities of architecture."</p><br>
<p>The property also includes a contributing structure, and a contributing site.</p><br>
<p>It was designed by architect Robert C. Reamer. Supervision of its construction was delegated to architect William E. Donovan of Great Falls, Montana.</p><br>
<p>The Geronimo Surrender Site is situated above Skeleton Canyon in southeastern Arizona, on a small bluff. Overlooking the canyon, the San Bernardino Valley and San Simon Valley can be seen to the east and west. The actual site is marked by a cairn of rocks, which was erected by Lieutenant Henry W. Lawton, on the spot where Geronimo surrendered to General Nelson A. Miles in 1886.</p><br>
<h2>History</h2><br>
<p>In 1876, in Arizona, the U. S. Government ushered in an era of concentrating Native Americans in reservations, which in turn triggered a wave of violence between Indians and white settlers. In 1872, the Chiricahua, under the leadership of Cochise, signed a peace treaty with General Otis O. Howard, agreeing to cease hostilities in exchange for the government creating a reservation in southeast Arizona. Taza, took over leadership of the Chiricahua in 1874 after Cochise&#39;s death. Factions among the tribe were split about whether or not to move to the reservation. In 1876 Indian agent John P. Clum convinced a portion of the tribe to move to the reservation, but approximately 400 of them refused and fled to the Sierra Madre range in Mexico. These were split into three groups, one of which was led by Geronimo.</p><br>
<p>In April 1877, Clum surrounded the Apache resistors in New Mexico. The Indians, including Geronimo, surrendered and were take to the San Carlos Indian Reservation. However, in September of that year, Victorio led an escape of some 310 Chiricahua from the reservation, and they remained at large for two years. The conditions and deprivations on the reservation led to discontent amongst the Indians. After the Cibecue Creek Massacre in late summer 1881, the Chiricahua feared reprisals. In September of that year, a small group, led by Geronimo, among others, escaped from the reservation, heading down to the Sierra Madre in Mexico. A second group, led by Natiotish, also escaped into the Arizona mountains. The 6th Cavalry tracked them down and defeated them in the Battle of Big Dry Wash in July 1882. The Chiricahua survivors were brought back to the San Carlos Reservation. In September 1882, General George Crook was put in charge of military operations in Arizona. His first command was to appoint new commanders on the reservation, tasked with improving conditions.</p><br>
<p>Crook then negotiated an agreement with Mexican President Porfirio Diaz to allow U. S. troops to cross into Mexico. In 1883, Crook led an expedition into Mexico and subdued Apache forces under the leadership of Chato, bringing the remaining forces back to the San Carlos Reservation. By the spring of 1884, all the Apache bands had been returned to the reservation, with Geronimo&#39;s band being the last to return. Geronimo and his people were sent to the Fort Apache Reservation. In May 1885, Geronimo led a group of approximately 140 men, women, and children out of the reservation, fleeing once again to Mexico. In February 1886, it had been mistakenly reported that Geronimo had surrendered in New Mexico, to a Lieutenant Marion Maus. However, that report turned out to be incorrect. In March 1886, Crook negotiated a surrender with Geronimo at Canyon de los Embudos. On March 25, Crook thought he had an agreement, and left to return to Arizona. He left the Indians under the control of Lieutenant Maus. However, that night, the Chiricahua argued amongst themselves. While Chihuahua led the majority of the Chiricahua back to the reservation, Geronimo led a small band of about 35 men and women into the mountains.</p><br>
<p>Crook was relieved of his command, replaced by General Nelson A. Miles. Miles planned to remove all the Chiricahua from Arizona, and relocate them to reservations in Florida, thinking that would alleviate their resistance. Miles dispatched Captain Henry W. Lawton and Lt. Charles B. Gatewood to track down and capture the remaining Apaches in Mexico. On August 24, 1886, they caught up with Geronimo, and Gatewood informed Geronimo about the impending relocation to Florida. This deflated Geronimo, and he agreed to surrender, however, he would only surrender to Miles. The U. S. soldiers began escorting the Apache north into Arizona. They met with General Miles in Skeleton Canyon, arriving on August 28. Miles arrived on September 3. Geronimo and Miles met on September 3 and 4, agreeing to the terms of the surrender. After the agreement was signed, Captain Lawton erected the cairn of stones to commemorate the agreement. It was approximately ten feet across at its base and six feet high. Lawton wrote down a list of the officers present at the signing, placed it in a bottle, and put the bottle in the cairn.</p><br>
<h2>The site</h2><br>
<p>While there has been some confusion in the past regarding the exact location of the treaty site. The National Forest Service, relying on oral testimony, thought the treaty had been signed on the floor of the canyon. However, the physical characteristics of the site with the stone cairn on the bluff make it the likely location. It is a small bluff overlooking Skeleton Canyon, which has broad views of both the San Bernardino and San Simon Valleys. It is this view which is one of the indicators that the treaty was signed on the bluff, as locations such as this were favored by Geronimo for parleys. Another fact is that the valley did not have enough room to accommodate all those present at the signing ceremony. There is a cairn of rocks on the site, which was placed there by Lieutenant Henry W. Lawton after Geronimo surrendered to General Nelson A. Miles on September 4, 1886. It is this rock pile which is the final piece of evidence for the spot. Finally, several experts on the Apache Wars were consulted: Jay Van Orden, Bill Hoy, and Larry Ludwig. All agreed that the location was on the bluff.</p><br>
<p>The cairn originally stood ten feet across and six feet high. It has since been disturbed by individuals searching to see if it contained anything. It commemorates the signing of the treaty between Geronimo and General Miles, which is considered the most important treaty by the U. S. Government and Indians in Arizona, and effectively ended a forty-year period of hostilities between the two parties in the Arizona Territory.</p><br>
<p>Peter Barth Farm, on Lower Tug Fork Rd. near Alexandria, Kentucky, is a historic farm established in the early to mid-nineteenth century. The farm complex includes a log home, stone smokehouse, and stone storage building. Also known as the Thomer Farm, It was listed on the National Register of Historic Places in 1983 as part of the German Settlement, Four Mile Creek Area TR.</p><br>
<h2>History</h2><br>
<p>Peter Barth was originally from Wallertheim, Germany. In 1857, he purchased 77 acres of land in the Tug Fork area from Charles Zennick. Barth was the son of Jacob Barth, who settled in the Tug Fork area in 1842 as one of the first German settlers in the region. The Peter Barth Farm is part of a significant German settlement in southern Campbell County, Kentucky, in the Four Mile Creek Area.</p><br>
<p>Passtown Elementary School is a historic American school building in Valley Township, Chester County, Pennsylvania. Built in 1923 and expanded in 1950, this racially segregated school anchored the mostly African American Hayti neighborhood, just west of the city of Coatesville. Passtown was listed on the National Register of Historic Places on June 13, 2022.</p><br>
<h2>Description and history</h2><br>
<p>Passtown Elementary School, also called Pass School, was constructed as a two-room schoolhouse in 1923 and expanded to four rooms in 1950. It replaced a one-room schoolhouse across the street that was built in 1914. The school served elementary and middle-schoolers from the African American community that grew up in the Hayti neighborhood, just west of the industrial city of Coatesville, in the years following the American Civil War. Together with the First Baptist Church of Passtown nearby, the school was an anchor for the local Black community. After the USA Supreme Court ruled school segregation unconstitutional in the Brown v. Board of Education decision of 1954, Passtown Elementary School was racially desegregated in 1957.</p><br>
<p>Passtown was a school into the 1960s. At various times, the building hosted dances and festivals and served as a community center, polling site, childcare location, and temporary church. After its educational purposes ceased, the building functioned as municipal offices for 30 years. As of 2020, the town planned to vacate the building soon, and its fate was unclear. Backed by the Pennsylvania state preservation office, the Hayti Historical Society has spearheaded efforts to preserve the school.</p><br>
<p>According to its National Register of Historic Places nomination, Passtown Elementary School is historically significant as an African American schoolhouse and one of Chester County&#39;s few formerly segregated schoolhouses still in existence.</p><br>
<p>Cordova House  is a historic adobe house at 140 N. Main Avenue. It is possibly the oldest house in Tucson, Arizona, and one of the oldest surviving houses in Arizona.</p><br>
<p>Cordova House was believed to have been built of adobe around the time of the Gadsden Purchase in 1848 with the back two rooms being constructed first. Cordova House was owned by the Cordova family from 1936 to 1972. It is the site of Maria Luisa Tenas "El Nacimiento," the oldest and longest running Nativity display in the Southwest. Cordova House is also the site of a display about Cordova Houses relationship within the context of 1960s urban renewal. The house was added to the National Register of Historic Places in 1972. The building is currently part of the Tucson Museum of Art.</p><br>
<p>The Garrett Farmstead is an historic farmhouse which is located in Willistown Township, Chester County, Pennsylvania.</p><br>
<h2>History and architectural features</h2><br>
<p>Constructed by Isaac and Amos Garrett near Ridley Creek circa 1802. The Garretts were members of a prominent local Quaker family, who in 1684 had originally purchase a large 1,000 acre tract of land from John Love, who had first purchased the property from William Penn.</p><br>
<p>The Garrett Farmstead was listed on the National Register of Historic Places on February 27, 2003.</p><br>
<p>The John Gung&#39;l House is a historic house in Willcox, Arizona, which is listed on the National Register of Historic Places.</p><br>
<p>It is a Crafstman style Bungalow, built in 1920 by John Gung&#39;l, a prominent local attorney, and owner of the local water company. The bricks were imported from El Paso, Texas. It has a high gable roof, with a single central shed dormer in front with two lights, and a corbelled chimney. It has exposed rafters and wooden shingles. Its main entry is a central, wood panel door with a single light, and a wood screen door. The first floor veranda is recessed, with paired wood columns on elephantine pedestals. It sits on a concrete foundation.</p><br>
<p>The Mays Lick Consolidated School was the first high school in Mason County, Kentucky. It was built in May&#39;s Lick, Kentucky to serve students from seven separate lower schools.</p><br>
<p>It is an 88x63 ft two-story brick building facing northwest. It was listed on the National Register of Historic Places in 1982.</p><br>
<p>It was designed by Weber Bros. architects and was built by Douglas McCowell.</p><br>
<p>It served as a high school until 1960, after which only grades one through eight were offered. It served those grades until it was closed in 1981. It was then sold.</p><br>
<p>When listed on the National Register, the school building was being converted into apartments. An adjacent gymnasium building, built in the 1950s, was deemed non-contributing.</p><br>
<p>The schools main building was in fact remodeled, in 1981, into fifteen apartments, and the gymnasium became a post office. The apartment building was closed in 2013, when a sewage plant failed. The sewage plant had served the apartments, the post office, a gas station, and a doctors office; it failed due to lack of routine maintenance and was discharging raw sewage into a creek.</p><br>
<p>In 2017 the vacant building was acquired by William Lawrence, of Lawrence Development and Rental Properties. In 2018, a first phase of renovations of the building, creating eight apartments, was completed.</p><br>
<p>It is located off USA Route 68 on 2517, which was the old USA Route 68 and also is or was Kentucky Route 324.</p><br>
<p>The Hereford Bridge spans the San Pedro River near Hereford, Arizona, and was built in three stages. The first one was built in 1912–1913, consisting of a single span truss, with steel cylinder piers as supports. It as constructed by the Midland Bridge Company of Kansas City, Missouri for a cost of $3,112, and completed in March 1913. Two years later, Cochise County ordered a second span, as well as moving the original span approximately two-hundred feet upriver. The project was completed in 1915 by Bane and Tarrant, using a superstructure manufactured by Penn Bridge Company of Beaver Falls, Pennsylvania. The third and final stage was done in 1927, consisting of a third pony truss span. It was constructed by the Ware Company of El Paso, Texas, using a hundred-foot truss from the Virginia Bridge and Iron Company of Roanoke, Virginia. While the bridge is typical, the fact that it was constructed in stages is unusual. The span constructed in 1912 is one of the two earliest trusses used for transporting vehicles in Arizona.</p><br>
<p>The bridge consists of three spans, with a 102-foot span length and an overall roadway length of 267 feet. The roadway width is 15.7 feet. It is constructed of riveted steel, with 10-panel Warren pony trusses, concrete abutments, concrete wingwalls, and concrete-filled steel cylinder piers. There is a concreted deck over steel stringers.</p><br>
<p>The Hi Wo Company Grocery is a building in Benson, Arizona. While it opened in 1896, its actual date of construction is unknown; it was one of the first commercial buildings in Benson. The store remained in operation until 1989, operated by descendants of Hi Wo, the first owner, an immigrant from China.</p><br>
<p>The building is located at the southwest corner of Gila and East 4th Street, on a 25 by 150 foot lot, and was constructed on the front lot line, spanning from both side boundaries. It is a two-story structure with a basement. There is an adobe foundation which support the exterior main floor walls, while redwood piers are the support for the second story. The first story walls are of adobe masonry, while the second has lighter walls made of redwood frame construction, sheathed with metal panels. There is a gable roof, sheathed with sheet metal. In 1965, an addition was put on the house, made of stucco-frame construction. Prior to the addition the building was rectangular, with a symmetrical facade on East 4th street, and a central door with a single light, flanked by storefront windows and a transom above. The second story was added in the 1930s, and the gabled roof had a centrally placed vent door, which sat directly over the main entrance on the main floor. The staircases to both the second floor and the basement were located on the southern side, while built-in shelving, cabinets, and counters occupied the east and west walls. The second floor interior had redwood paneling. The basement was used for storage, including a walk-in cheese storage.</p><br>
<p>The Downtown Paris Historic District, in Paris, Kentucky, in Bourbon County, Kentucky, is a historic district which was listed on the National Register of Historic Places in 1989.</p><br>
<p>It was deemed significant as:the largest, richest, most varied and best-preserved concentration of historic architecture in Bourbon County from the period c. 1788 to 1940. Included within the district are a commercial area, an adjacent cluster of warehouse buildings, and a surrounding residential neighborhood. All of these discrete areas manifest a high degree of integrity with comparatively few intrusions, over one-and-a-half centuries of the citys architectural evolution are depicted by the district, which includes excellent representations of a remarkable variety of historic styles. Included are many fine examples of the Italianate, Queen Anne and Romanesque Revival modes in both residential and commercial buildings. The Federal, Gothic Revival, and Greek Revival styles are represented as well, as are the Stick, Beaux Arts, Colonial Revival, Craftsman, and Moderne modes. Also featured throughout the district are many noteworthy examples of vernacular designs in residential and commercial structures. A number of landmark religious, governmental and institutional buildings add interest to the districts streetscapes. The district features the works of several local builder/architects as well as those of some noted designers from outside the area. The Downtown Paris Historic District manifests a high degree of integrity with comparatively few intrusions.</p><br>
<p>It is centered on High, Main, and Pleasant Streets, and runs from 2nd St. on the north to 14th St. on the south. The 96 acre district included 222 contributing buildings, 77 non-contributing buildings, and 15 contributing structures. Contributing ones date from 1788 to 1939.</p><br>
<p>Twenty-two of the contributing buildings were already listed on the National Register. These include:</p><br>
<p>Bourbon County Courthouse (1902), "a monumental example of the Beaux-Arts style", designed by architect Frank Milburn (1868–1926). NRHP-listed in 1973</p><br>
<p>Additional buildings surrounding the courthouse square, included in the NRHP listing of the Paris Courthouse Square Historic District in 1979:</p><br>
<p>Duncan Tavern, "a former hostelry of stone construction and Georgian/Federal design, separately NRHP-listed in 1973.</p><br>
<p>Elks/Masonic Lodge Building (1901-05), Bank Row and Main Street: "The Elks/Masonic Lodge Building, one o£ the pivotal structures of the Courthouse Square, is prominently sited at the corner of Bank Row and Main Streets. One of the tallest buildings in Paris, it stands four stories high, and the narrowness of its primary facade lends it a sense of verticality. The building is faced with dark-red pressed brick and is trimmed with a profusion of pressed-metal and smooth-faced sandstone. Its eclectic design, largely Neo-classical in inspiration, nonetheless includes some suggestions of the Romanesque Revival. The main facade is dominated by a slightly projecting pavilion, four stories high, that contains the entrance to former lodge rooms on the upper levels. This feature is balanced by a three-story semi-circular turret supported by an iron column. Beneath the turret is the buildings main entrance, contained in a chamfered corner. The Elks/Masonic Lodge Building, designed by architect Herman Rowe of Lexington, was constructed in the early 1900s. Intended to accommodate a variety of uses, it was built as the headquarters for the local Elks lodge, with commercial space occupying the first floor. The building was later occupied by the local Masonic chapter, and in the 1940&#39;s became home to the Bourbon Hotel, a hostelry formerly located across the street. After years of neglect, the building was recently restored by the local Community Redevelopment Agency as apartments for the elderly."</p><br>
<p>"The former Masonic Building (see photo 5) is a key corner edifice in the district. Erected ca. 1900, it has four stories and is of brick construction with stone trim above all windows. The southern corner is bowed, a pair of oriel windows is on the southwestern wall and the main facade is treated with a fine embossed metal parapet. Built for the Paris lodge of the B.P.O.E., the structure was sold to the local Masonic Lodge in 1926. The upper floors served for many years as the Bourbon Hotel until being converted into apartments, and the first floor has housed a succession of businesses since the hotel went out of business. Present plans call for utilizing the building as apartments for the elderly."</p><br>
<p>Bourbon Agricultural Bank and Trust Building (remodelled 1915), Main & 4th Sts. Three-and-a-half-story building of largest bank (as of 1979) in Bourbon County, Kentucky, formed from mergers of five banks. Building constructed in late 1800s, renovated to its current form in 1915 after the last of the five mergers. The Kentuckian-Citizen, a local newspaper, then described it as having the "most commodious and convenient banking rooms in central Kentucky."</p><br>
<p>"This three-and-one-half-story structure has bowed corner projections on the main facade, and these continue up and into the attic where they are covered by hemispherical domes and are pierced by oculi. Decorative stonework embellishes the windows, and a continuous dentilled cornice is below the attic level. In the center of the facade is a shaped gable, and there are four Ionic pilasters arranged below the gable. A pseudo-Georgian veneer has been attached to the street level in recent years. / The institution as it is now began in 1915 with a capital stock of $200,000."</p><br>
<p>Simms Building (1885), 302 Main St. "The two-story, three-bay brick building on the western corner of Main and Third Streets (see photo 4) was built for W.E. Simms in 1885, and the only major exterior alteration has been the installation of larger windows on the street front. This level is framed by metal pilasters and a projecting fascia, and the emphatic hoodmolds above the second floor&#39;s windows are reciprocal with the heavy entablature that has a peak in the center."</p><br>
<p>Eads Tavern (c. 1790), also NRHP-listed in 1973.</p><br>
<p>The Stick Style former passenger depot of the Kentucky Central Railroad (c. 1882 1901-07), also NRHP-listed in 1973.</p><br>
<p>Selected others include:</p><br>
<p>St. Pauls Methodist Episcopal Church (1876) "Well-preserved nave-plan front-gabled brick church of transitional Greek Revival/Italianate character, built on a raised foundation approached by a broad flight of steps. Facade and side elevations are articulated by pilasters and contain round-arched bays with brick hoodmolds. St. Pauls Church is the largest of several churches in Paris constructed for black congregations during the post-Civil War era."</p><br>
<p>Brannon House (c.1910s), 1115 Main Street: "a Craftsman-inspired American Foursquare brick dwelling dating from the 1910&#39;s. Broad in form, the Brannon House stands two stories high with a symmetrical three-bay facade, gently-pitched hipped roof, massive dormers, and exposed rafter tails."</p><br>
<p>Catholic Church of the Annunciation (1858–60; 1869–70), 1009 Main Street: "Well-preserved Victorian Gothic church constructed 1858-60 and enlarged 1869-70. Exhibits a Latin cross plan with polygonal apse, full-height transepts, and lower side chambers. Tripartite facade exhibits three doorways set in lancet-arched spandrels, and side elevations are punctuated by lancet arches, with label molds, articulated by partial buttresses. Three-stage steeple rises to a fluted spire. Interior has been little altered since the Victorian era."</p><br>
<p>The Johannes Parlaman House is a historic stone house overlooking the Rockaway River at 15 Vreeland Avenue in the township of Montville in Morris County, New Jersey, United States. The oldest section was built around 1755. It was documented by the Historic American Buildings Survey in 1938. The house was added to the National Register of Historic Places on January 17, 1992, for its significance in architecture. It was listed as part of the Dutch Stone Houses in Montville Multiple Property Submission .</p><br>
<h2>History and description</h2><br>
<p>The Dutch Colonial house was built around 1755 when Johannes Parlaman married Marytie Hyler. His mother, Barber Parlaman, had purchased the land in 1736–1737. His son, John Parlaman, inherited the house in 1805. After his death in 1829, the house was left to James Doremus.</p><br>
<p>The house was extended around 1790, and later around 1840 with a two-story frame wing.</p><br>
<p>The Simon Van Duyne House is a historic house located at 58 Maple Avenue in the Pine Brook section of the township of Montville in Morris County, New Jersey. The oldest section was built. It was documented by the Historic American Buildings Survey in 1936. The house was later added to the National Register of Historic Places on January 17, 1992, for its significance in architecture. The house was also listed as part of the Dutch Stone Houses in Montville, New Jersey Multiple Property Submission .</p><br>
<h2>History and description</h2><br>
<p>In 1787, James Van Duyne purchased 205 acre from the estate of Robert Sandford Sr. and in 1789, gave it to his son Simon Van Duyne. According to the nomination form, the oldest section of the house may have been built by Sandford.</p><br>
<p>The house is constructed using sandstone in the vernacular architectural style of the Dutch stone houses in the area.</p><br>
<p>Amand Broussard House is a historic house at Vermilionville 300 Fisher Road Lafayette, Louisiana. It may be the oldest surviving Cajun house. It was built around 1790 and added to the National Register of Historic Places on June 9, 1980.</p><br>
<h2>History</h2><br>
<p>The Armand Broussard House was originally built at Fausse Point in what was then the Province of Louisiana in New Spain. The Broussard family owned it until 1979 when Dr. Roy Boucvalt purchased it and relocated it to New Iberia to prevent demolition. The next year it was added to the National Register of Historic Places in Iberia Parish. In 1988, Dr. Boucvalt donated the historic structure to Vermilionville Historic Village. The house was then relocated a second time to the museum site in the City of Lafayette within Lafayette Parish.</p><br>
<h2>Architecture</h2><br>
<p>The house was built in a Creole cottage architecture style. Being a relatively large family home, Armand Broussard House was built with all of the extra amenities available at the time in the wilderness of Southwest Louisiana. Some of these amenities included the deep front porch with chamfered posts and a floor plan featuring more than two rooms wide across the front with direct access to the front porch. Houses like this one were only two rooms deep to maximize air flow. The cornices and wood trim on windows, doors and at the edges of each wall, as well as wainscoting and chair rails are amenities that suggest the owners had some prosperity. Also, the “cabinets” or small rooms that close in one or both sides of the rear porch were also considered amenities for the more affluent. Armand Broussard House is one of the largest extant examples of colombage and bousillage construction.</p><br>
<p>The Effingham Low House is a historic house located at 102 Hook Mountain Road in the Pine Brook section of the township of Montville in Morris County, New Jersey. It was added to the National Register of Historic Places on January 17, 1992, for its significance in architecture. The house was listed as part of the Dutch Stone Houses in Montville Multiple Property Submission .</p><br>
<h2>History and description</h2><br>
<p>The oldest section of the house was built by Effingham Low sometime before 1775. The one and one-half stone house features local Dutch Colonial architecture. His son, Nicholas Low inherited the property in 1812. The two-story Federal style stone addition was built by him around 1820.</p><br>
<p>The Henry Doremus House, also known as the Captain Thomas Doremus House, is a historic stone house located at 490 Main Road  in the Towaco section of the township of Montville, New Jersey. The oldest section was built around 1760. It was added to the National Register of Historic Places on October 31, 1972 as the Doremus House for its significance in architecture. It was listed as the Henry Doremus House as part of the Dutch Stone Houses in Montville, New Jersey Multiple Property Submission  on January 17, 1992.</p><br>
<h2>History and description</h2><br>
<p>The one and one-half story stone house was built by Henry Doremus, who later sold it to his brother Thomas Doremus. June 25–27, 1780, during the American Revolutionary War, the house was used as headquarters for General George Washington after the Battle of Springfield.</p><br>
<p>The Nicholas Vreeland Outkitchen, also known as the John H. Vreeland Outkitchen, is a historic stone building located at 52 Jacksonville Road in the Towaco section of the township of Montville in Morris County, New Jersey, United States. Built, it was documented by the Historic American Buildings Survey in 1938. It was added to the National Register of Historic Places on December 11, 2009, for its significance in architecture. The building contributes to the domestic architecture theme of the Dutch Stone Houses in Montville Multiple Property Submission .</p><br>
<h2>History and description</h2><br>
<p>The outkitchen was part of a 180 acre farm worked by Nicholas "Claes" Vreeland around the last quarter of the 18th century. In 1811, his son, Hartman N. Vreeland (1762–1823), inherited the farm. In 1823, his son, John H. Vreeland inherited it. The outkitchen is a one-story limestone building featuring Dutch Colonial architecture. It has been restored and is currently used as a museum.</p><br>
<p>The Hooker Town House is an example of early adobe Queen Anne style residence. Located in Willcox, Arizona, it was listed on the National Register of Historic Places in 1987.</p><br>
<p>The house was a home of Henry Hooker, a local rancher, who established the Sierra Bonita Ranch in nearby Sulphur Springs Valley in 1873. The ranch was approximately 30 by 27 miles. It was common at the time for large ranch owners to also own a home in the local town, and this was Hooker&#39;s, built circa 1900. A Queen Anne style house of adobe construction. It is a single-story, with a medium hipped roof covered in asphalt shingles, and protruding eaves with plain fascia. The front of the house has a central single door entry with a single light. There is a wrap-around porch, with an open-rail with wooden posts, covered by a shed roof.</p><br>
<p>Taille de Noyer  is a historic house at 1 rue Taille de Noyer in Florissant, Missouri.</p><br>
<p>It was built in 1800 as a two room log cabin and fur trading post and was eventually expanded into a 22-room mansion. The house was added to the National Register of Historic Places on January 10, 1980</p><br>
<p>It is one of the oldest houses in Missouri and is open for tours by the Florissant Historical Society.</p><br>
<p>The Davenport–Demarest House is a historic stone farmhouse located at 140 Changebridge Road in the township of Montville in Morris County, New Jersey. The oldest section was built. The farmhouse was documented by the Historic American Buildings Survey in 1938. It was added to the National Register of Historic Places on January 17, 1992, for its significance in architecture. It was listed as part of the Dutch Stone Houses in Montville Multiple Property Submission .</p><br>
<h2>History and description</h2><br>
<p>Humphrey Davenport (1656–1735) purchased land in the area starting in 1714. His son, Humphrey Davenport Jr. (1697–1770) sold his share to Robert Gould Sr. in 1734, before his father died. Gould was the first town clerk of Pequannock and a county judge. His son inherited the property and mortgaged it to John Salter in 1782. He sold it to Samuel Demarest in 1788. His son Lawrence Demarest owned it next. The oldest section of the house may have built as early as 1720 or as late as 1780. The stone farmhouse features local Dutch Colonial architecture. A frame wing was added in the 1920s.</p><br>
<p>The Martin Van Duyne House is a stone farmhouse located at 292 Main Road  in the township of Montville in Morris County, New Jersey. The oldest section was built around 1750. It was documented as the Abraham Van Duyne House by the Historic American Buildings Survey in 1938. It was added to the National Register of Historic Places on January 17, 1992, for its significance in architecture, and was listed as part of the Dutch Stone Houses in Montville Multiple Property Submission .</p><br>
<h2>History and description</h2><br>
<p>James Van Duyne lived in the Towaco section of Montville. His son, Martin J. Van Duyne, inherited the property in 1811. The stone farmhouse was built around 1750 and features local Dutch Colonial architecture. It was extended around 1790 with a wing on the east side.</p><br>
<p>The Van Duyne–Jacobus House is a historic stone farmhouse located at 29 Changebridge Road in the township of Montville in Morris County, New Jersey. The oldest section was built. It was added to the National Register of Historic Places on January 17, 1992, for its significance in architecture. It was listed as part of the Dutch Stone Houses in Montville Multiple Property Submission .</p><br>
<h2>History and description</h2><br>
<p>Martin Van Duyne Sr. purchased about 200 acres near Towaco in 1730. His son, Martin Van Duyne Jr., purchase a portion for his own farm in 1761. He built the stone farmhouse sometime after this and before 1778. His son, Richard Van Duyne, inherited the farm in 1811. Later, Timothy Jacobus purchased the property in 1863. The one and one-half story house has a gable roof and features local Dutch Colonial architecture.</p><br>
<p>The James Van Duyne Farmhouse is a historic building located at 32 Waughaw Road in the Towaco section of the township of Montville in Morris County, New Jersey. The oldest section of the farmhouse was built in 1758. It was added to the National Register of Historic Places on April 15, 1982, for its significance in exploration/settlement and politics/government.</p><br>
<h2>History and description</h2><br>
<p>Martin Van Duyne purchased the land from Jacob Temont in 1730. His son, James Van Duyne, acquired the property in 1760. He likely built the house in 1758. His son, Ralph Van Duyne, inherited the property in 1811. His son, John R. Van Duyne, inherited it in 1826. The house was extended in 1857 by a two and one-half story stone wing. John&#39;s son, Harrison Van Duyne, inherited the house in 1874. He was the speaker of the New Jersey General Assembly in 1881. The house was extended again in 1898.</p><br>
<p>The Montville Schoolhouse is a historic one-room schoolhouse located at 6 Taylortown Road in the township of Montville in Morris County, New Jersey. The red brick schoolhouse was built in 1871 and added to the National Register of Historic Places on December 11, 2009, for its significance in education and politics/government. Since 1963, it has been the home of the Montville Township Historical Society and Museum.</p><br>
<h2>History and description</h2><br>
<p>The schoolhouse was built in 1871 on the site of two previous schoolhouses. It was also used by the Methodist Episcopal Church. The township used it as the first town hall from 1911 to 1939. The post office was located here from 1943 to 1961.</p><br>
<p>Cherokee Supreme Court Building  is museum at Keetoowah Street and Water Avenue in Tahlequah, Oklahoma. The building was constructed in 1844 and it was added the National Register of Historic Places in 1974. It is the oldest government building in Oklahoma and possibly the oldest building still surviving in the state.</p><br>
<p>The building that once housed the Supreme Court of the Cherokee Nation has been converted into a museum, the Cherokee National Supreme Court Museum and is open to the public. It reportedly is the oldest public building in Oklahoma. It was constructed on the southeast corner of the town square by James S. Pierce in 1844. The first chief justice of the Cherokee Nation, John Martin (judge) (1784–1840) held court here. The printing press for the early-day Cherokee Phoenix newspaper was also located in this building, and a reproduction of the press and the newsroom can be seen here.</p><br>
<p>The Mead–Van Duyne House is a historic stone house that was originally located at 636 Fairfield Road in the Mountain View section of the township of Wayne in Passaic County, New Jersey. The oldest section of the house dates to 1706. It is the second oldest surviving Dutch stone house in the county. It was documented by the Historic American Buildings Survey in 1938. Listed as the William Klein property, it was added to the National Register of Historic Places on August 12, 1971, for its significance in architecture, military history, and religion/philosophy. In 1974, the building was relocated to 543 Berdan Avenue, next to the Van Riper–Hopper House, as part of the Wayne Museum. It was renominated as the Van Duyne House in 1976. It was relisted on the state register on March 15, 1976. The property was withdrawn from the NRHP on December 15, 1976.</p><br>
<p>The Johnson-Tillotson House is a Western Colonial Revival home located in Willcox, Arizona, originally built circa in1900 by the Johnson family, a local ranching family, as their in-town residence. It is an adobe structure, in a 2-story Queen Anne architecture. It has a wood shingled high hipped roof, with boxed cornice eaves. The main entry is an off-centered plain lintel wood door, with a wooden screen. And the porch is a recessed platform with no railing, and its own gabled roof.</p><br>
<p>Russian Hill-Vallejo Street Crest District is a 4 acre historic district in Russian Hill, San Francisco, California, that was listed on the National Register of Historic Places on January 22, 1988, for the people, events and architecture. The area is a residential enclave defined by retaining walls and natural bluff.</p><br>
<h2>About</h2><br>
<p>The area is roughly bound by 1020-1032 Broadway, 1-49 Florence Street, 1728-1742 Jones Street, 1-7 Russian Hill Place, 1629-1715 Taylor Street, and 1000-1085 Vallejo Street, in San Francisco, California, USA The listing included 27 contributing buildings, 2 contributing sites, and 5 contributing structures. This historic district had survived the 1906 San Francisco earthquake and fire.</p><br>
<p>This district has architectural works by Willis Polk, Charles F. Whittlesey, Julia Morgan, Albert Farr, Charles W. McCall, and one of the only surviving works of amateur architect Joseph Worcester. Historic houses in the district include the Atkinson House (1853).</p><br>
<p>Notable former residents of this neighborhood include Katherine Atkinson, Maynard Dixon, Sara Bard Field, Dorothea Lange, Rose Wilder Lane, Horatio P. Livermore, Willis Polk, Mary Curtis Richardson, Dora Norton Williams, and Joseph Worcester.</p><br>
<p>Other historic districts in Russian Hill include the Russian Hill–Macondray Lane District and the Russian Hill-Paris Block Architectural District.</p><br>
<p>Sacred Heart Catholic Church was a parish church in the Diocese of Sioux City. The church building is located in Fort Dodge, Iowa, United States. It was listed on the National Register of Historic Places in 2022.</p><br>
<h2>History</h2><br>
<p>Sacred Heart parish was established in 1897 from Corpus Christi, also in Fort Dodge. Archbishop John Hennessy of Dubuque assigned the Rev. Edmond Heelan as the parish&#39;s first pastor. A frame church building was completed by October 1897 on the site of the present church.</p><br>
<p>As the parish grew it was determined that a larger church building was needed. Sioux City architect William L. Steele designed the new building in the Romanesque Revival style with Prairie School influences. In the meantime, Heelan had become auxiliary bishop of Sioux City. He returned to Fort Dodge to dedicate the new church in 1922.</p><br>
<p>The citys third Catholic parish, Holy Rosary, was created from Sacred Heart in 1946. In 2000, the parishes in Webster County formed the Catholic Team Parishes. Six years later, Bishop R. Walker Nickless merged all of the countys parishes and created Holy Trinity Parish. The last Mass was held in Sacred Heart in 2019 when the new Holy Trinity Church was opened.</p><br>
<p>The Russian Hill-Paris Block Architectural District is a 1.5 acre historic district located in the Russian Hill area of San Francisco, California, that was listed on the National Register of Historic Places on January 7, 1988, for architecture. The area is a residential enclave.</p><br>
<h2>About</h2><br>
<p>The area is roughly bound by the addresses 1017 to 1067 Green Street, in San Francisco, California; a group of eleven single or multiple residential dwellings. The eleven buildings represent eleven different architectural styles, but are united by their high level of quality, and they all sit similarly on their lots with front yards. The houses facing the north side of the Green Street have their back property line along Macondray Lane. One of the residences within the district is the Feusier Octagon House.</p><br>
<p>The name "Paris Block" has been found in print only as early as 1964, the exact origins are unknown but it is speculated the name refers to the Parisian-appearing Bos Apartments (1050 Green Street), which were designed by Beaux-Arts de Paris-trained architect, Lewis P. Hobart.</p><br>
<p>Other historic districts in Russian Hill include the Russian Hill–Macondray Lane District and the Russian Hill-Vallejo Street Crest District.</p><br>
<p>The W. D. Martinez General Merchandise Store is an historic building located in Benson, Arizona. It was added to the National Register of Historic Places on March 11, 1994. It was built in 1921 by William D. Martinez, an immigrant from Sonora, Mexico who created the store to serve the Hispanic community which was situated just to its east.</p><br>
<h2>History</h2><br>
<p>William D. Martinez was born in Magdalena, Sonora, before moving to Arizona. He built the structure in 1921 in an isolated spot near a Hispanic neighborhood to its east. While the structural system of the building was atypical, its stepped-parapeted facade was typical of storefronts of the 1920s. He leased the store to S. B. Moss in June 1921, and then sold the building in January 1922 to a mercantile company of Tucson, Albert Steinfeld & Co., owned by Albert Steinfeld, a successful merchant immigrant from Germany. Some time later, the property was purchased by A. E. Ivey Jr., who sold it in March 1983 to its present owner, the San Pedro Historical Society. The building remained a store until its 1983 purchase, after which it was turned into the W. D. Martinez General Merchandise Store/Benson Museum. Today it is home to the San Pedro Valley Arts and Historical Society Museum.</p><br>
<h2>Description</h2><br>
<p>It is situated at the northwest corner of San Pedro and East 5th Streets in Benson, covering four lots (13-16) of block 18. The building is on the southern portion of the lots, with an adjacent yard occupying the north portions. It is a one-story rectangular structure, covering approximately 1688 square feet, with a 100 square foot addition in the building&#39;s rear. It sits on a concrete slab foundation, with 8" walls of poured reinforced concrete, sheathed in stucco. It has a wood-trussed roof, covered with corrugated metal.</p><br>
<p>The original buildings San Pedro Street facade, the gabled end, had a stepped parapet, a chamfered corner entry at the southeast corner with 10 high double, carved wooden doors, large fixed-pane, four-light storefront windows on either side of the entry and two-over-two double hung windows. A corrugated metal roofed, wrap-around porch on 4 x 4 posts served both major facades. The rear addition, which functioned as an office, was also of poured concrete and had a corrugated metal shed roof. The interior had jointed concrete flooring, a built-in display platform by the east storefront window and corrugated metal ceilings with redwood crown molding. Since its construction, the wrap-around porch has been replaced by a replica and a double French door was installed in the rear. In addition, new display lighting has been installed, the electricity upgraded, gas furnaces installed, and protective steel shutters installed over the exterior windows.</p><br>
<p>The Joe Mee House is an historic residence located in Willcox, Arizona. It was added to the National Register of Historic Places in 1987.</p><br>
<p>The house is the only known example of an adobe Craftsman bungalow in southern Arizona. The use of adobe was most likely used due to its local availability, and this house is a unique use combining the materials and style. It is most likely that the structure was built by a local cattleman, Joe Mee, who was the son-in-law of the founder of Willcox, Henry A. Morgan. The contractor was W. S. Hunt, and was built around 1920. At one point, the house served as a mortuary.</p><br>
<p>Sitting on a concrete foundation, the house has a medium gable roof with two chimneys, covered with wooden shingles. It has projecting eaves with exposed rafters and a wood shingle pediment. The main entrance is an off-center wood door with a single light and a wooden screen door; while the porches are open with an open railing and plain posts, covered with a gabled roof and wood-shingle pediment. The original garage has been converted into a guest house, and at some point in the 1930s an addition was added to the rear of the structure.</p><br>
<p>George Schuster House  also known as The Wells Street Red Castle, is located in Milwaukee, Wisconsin. The German Renaissance Revival mansion was built for tobacco magnate George Schuster. It is listed on the neighborhood, city, national and state Register of Historic Places. It was added to the National Register of Historic Places listings in Milwaukee  in 1986.</p><br>
<h2>History</h2><br>
<p>In 1891 the brick mansion was commissioned by tobacco magnate George Schuster. He purchased land for his home in August 1891. In September 1891, he was issued a construction permit. The home has 8 bedrooms and 3.5 baths was designed by Crane and Barkhausen. The architects also designed a Coach-house and it was built at the same time. Schuster died in 1922 and in by 1923 the home was vacant. In 1924 it was sold to Jean B. Olinger, who divided the home into 6 apartments.</p><br>
<p>People began calling the home the Redstone Apartments. By 1982 there were two more apartments added and it became an 8 family. By 2008 it was a bed and breakfast with seven units. People also began calling the home The Wells Street Red Castle because of the red brick.</p><br>
<p>The home was listed on the neighborhood, city, national and state Register of Historic Places. It was listed on the Wisconsin State Register January 16, 1986 and on the National Register of Historic Places listings in Milwaukee January 1, 1989.</p><br>
<h2>Description</h2><br>
<p>The home was constructed with red sandstone, red brick and red Terracotta. The building took on the appearance of a European castle with other influences, including: Gothic Revival architecture, Châteauesque, Romanesque architecture, German Renaissance Revival and some Colonial Revival architecture. The home features two towers and a facade of fleur-de-lis to Trefoils, rondels, Pilasters and lions’ heads. The home is full of difficult angles and transitions along with detailed layers. The home has hardwood floors, high ceilings and wood throughout with a formal dining room and a library.</p><br>
<p>The Charlotte Street-Esmond Street Historic District is a historic district encompassing a residential subdivision in the Dorchester neighborhood of Boston, Massachusetts. Centered on Charlotte and Esmond Streets, the area was developed in the early 20th century following the arrival of electrified street cars on nearby Blue Hill Avenue. The district was listed on the National Register of Historic Places in 2022.</p><br>
<h2>Description and history</h2><br>
<p>Charlotte and Esmond Streets form part of a residential area southeast of Boston&#39;s Franklin Park and east of Blue Hill Avenue. The historic district includes a diversity of single and multiple-family residential structures, all characterized by their construction in the early 20th century, and by a preponderance of architectural styling popular in that period. The only non-residential buildings in the district face Blue Hill Avenue, and include a commercial-residential building and the William Endicott School, a Colonial Revival edifice built in 1906.</p><br>
<p>Prior to its residential development, this area was largely rural, with farms and family country estates. The arrival of a horsecar line spurred some residential subdivision, but it was only when the line was electrified in the 1890s that serious development of these properties with denser residential housing began. The Charlotte-Esmond Street area was part of country estates owned by Thomas C. Wales and Elijah Williams, and was subdivided in the 1890s. The area was largely built out by 1920. It features a number of architect-designed houses, including no less than four which were occupied by the designer.</p><br>
<p>The Dudley Terrace–Dudley Street Historic District is a historic district encompassing a cluster of four multifamily brick buildings in the Dorchester neighborhood of Boston, Massachusetts. Centered on the junction of Dudley Street and Virginia Avenue, the area was developed in the mid-1890s, and includes good examples of Queen Anne and Renaissance Revival architecture. The district was listed on the National Register of Historic Places in 2022.</p><br>
<h2>Description and history</h2><br>
<p>Dudley Street runs northwest from Uphams Corner, a commercial district in northern Dorchester, into Roxbury. The historic district includes four buildings, two on either side of Dudley Street, at the junction with Monadnock Street. All four are multistory brick apartment houses, with three exhibiting Queen Anne styling and one in the Renaissance Revival style. Two of the buildings have commercial spaces on the ground floor. The Monadnock is the most distinctive, with a pale yellow brick facade punctuated by shallow projecting window bays.</p><br>
<p>The residential areas around Uphams Corner saw significant development in the late 19th century, when an electrified streetcar line was run down Columbia Avenue. These four buildings were built between c. 1893 and 1896, mainly for owners who lived nearby. The demographics of the early residents of the buildings were a mix of lower middle-class white Americans and mainly European and French Canadian immigrants. Architects involved in their construction include the noted Boston firm Dwight and Chandler, and local architect M. P. Morris.</p><br>
<p>Demonbreun&#39;s Cave is a cave in Nashville which is listed on the National Register of Historic Places listings in Davidson County, Tennessee  in 1979. The cave was named after a fur trapper named Timothy Demonbreun.</p><br>
<h2>History</h2><br>
<p>There is a large crack in the facade along the Cumberland River which is named for fur trapper Timothy Demonbreun. The cave was originally a home for Demonbreun in an area of Tennessee which was home to the indigenous Chickasaw tribe. He used the cave for a short time because it was near a plethora of Game animals. The cave appears to be a crack in the rocks along the Cumberland River. It is approximately one mile upriver from Nashville on the right river bank.</p><br>
<p>The cave was listed on the National Register of Historic Places listings in Davidson County, Tennessee in July 1979. It was first explored between 1750 and 1799.</p><br>
<p>Fire Hall for Engine Company No. 18  is a fire station in Nashville, Tennessee. It is listed on the National Register of Historic Places listings in Davidson County, Tennessee  on May 13, 2016.</p><br>
<p>It is built in the style of Tudor Revival architecture.</p><br>
<h2>History</h2><br>
<p>The building was planned in 1929 and an artist rendering of the building appeared in The Tennessean newspaper on October 3, 1929. It was designed by C.K Colley and Sons. The builder was W.R. Smith and Sons Company and there was a budget of $15,425. The building was operational in May of 1930 but it officially opened on Thursday, June 5, 1930.</p><br>
<p>Monte Vista Lookout Cabin is a structure in Cochise County, Arizona which is on the National Register of Historic Places. The cabin sits at the base of the Lookout, in the southern portion of the Chiricahua Mountains in the Coronado National Forest. In 1956, it was erroneously reported that the cabin had been destroyed during a forest fire. The structure was also threatened by fire in 2011 during the Horseshoe II Fire.</p><br>
<p>It was built by the Civilian Conservation Corps.</p><br>
<p>Photos in 1986 show that it is a log cabin with chinking between its logs, with a front porch, and with fire tower behind.</p><br>
<p>Rainbow Ranch is a ranch home located in Madison, Tennessee. The property was listed on the National Register of Historic Places listings in Davidson County, Tennessee  on November 27, 2018.</p><br>
<h2>History</h2><br>
<p>Canadian American musician Hank Snow lived in the Rainbow Ranch. He died on December 20, 1999 at the ranch in Madison, Tennessee. Snow bought the home shortly after he experienced success with his song, "Im Movin On." He named the home Rainbow Ranch after his band, which was known as the "Rainbow Ranch Boys". In recent years the home has been restored by Snow&#39;s family.</p><br>
<h2>Description</h2><br>
<p>The home is and the walls are covered in knotty pine. Snow also built a "Rainbow Ranch barn" on the property for his horse Shawnee. The home also features a recording studio.</p><br>
<p>The Morgan House is an historic building in Willcox, Arizona which was added to the National Register of Historic Places in 1987. The house is named after Henry A. Morgan, one of the founders of Willcox, and its first mayor after its incorporation in 1915. He constructed the residence circa 1888. It is a wood-frame structure of Queen Anne architecture. It has a truncated hip roof, covered with asphalt shingles and a single chimney topped with a metal cap, and boxed cornice eaves. The entrance is centered on the home, with a wooden door with a single light and a wooden screen door. It has an open porch with turned wood posts, covered by a shed roof. The site also has a garage, but that was built much later, and is not a contributing structure to the NRHP.</p><br>
<p>The James A. Cayce Administration Service Building is a building located in Nashville, Tennessee. It was listed on the National Register of Historic Places listings in Davidson County, Tennessee in 2019.</p><br>
<h2>History</h2><br>
<p>Architecture firm Marr and Holman designed the Classical Revival structure and it was completed in 1943. The building was home to the Nashville Housing Authority. In 1972 Nashville Housing Authority was later renamed the Metropolitan Development and Housing Agency (MDHA).</p><br>
<p>The building was added to the National Register of Historic Places listings in Davidson County, Tennessee (NRHP) on December 19, 2019. The building was added to the NRHP for two reasons: its historic role in Nashville’s public housing, and the architectural design of the structure.</p><br>
<p>The John Geist and Sons Blacksmith Shop and House is a building located in Nashville, Tennessee. It was listed on the National Register of Historic Places listings in Davidson County, Tennessee  in 1980. The business finally closed in 2006. In 2018 the building and site were developed and a restaurant opened in the blacksmith building.</p><br>
<h2>History</h2><br>
<p>The John Geist and Sons Blacksmith Shop and House was one of Nashville&#39;s oldest businesses to remain in continuous family ownership and operation (1886 to 2006). The first building constructed on the site in 1886 was a frame house: in 1900 a new brick building was built on the site and it remains today. When the automobile began to supplant the horse as transportation John Geist began to offer decorative ironwork. Until 2018 the building was still owned by the Geist family.</p><br>
<p>The building was added to the National Register of Historic Places listings in Davidson County, Tennessee (NRHP) on April 29, 1980.</p><br>
<h2>Redevelopment</h2><br>
<p>The building is located in the Historic Germantown Neighborhood. The property, includes three buildings and in 2013 a Nashville developer became involved in coming up with uses for the property. In 2018 a restaurant called "Geist" was developed and it opened in the renovated blacksmith building. The restaurant&#39;s website states that it the building houses a Bar and a Dining Room which features handcrafted items from Local Artisans. they also claim to have a Champagne Garden, and a courtyard with an outdoor cooking stove.</p><br>
<p>Overbrook is a building located in Nashville, Tennessee. The building is now used by Overbrook School and two other schools operated by The Dominican Sisters of St. Cecelia. It was listed on the National Register of Historic Places listings in Davidson County, Tennessee  in 1984.</p><br>
<h2>History</h2><br>
<p>In 1913 Overbrook was constructed for businessman Joseph Warner. It was purchased by St. Cecelia Congregation of the Dominican Sisters in 1923. For a time the building was rented out. In 1927 the building was then rented out for $150 a month. In 1928 it was rented by Mr. and Mrs. Paul M. Davis: they lived in the building while they rebuilt their fire damaged home. In 1936 it became a Catholic elementary school called "Overbrook School". The Dominican Sisters of St. Cecelia now run three private schools on the property.</p><br>
<p>The building was added to the National Register of Historic Places listings in Davidson County, Tennessee (NRHP) on March 29, 1984.</p><br>
<h2>Description</h2><br>
<p>The building is situated on a property which features Kingfisher Creek - which is where the "brook" in the name "Overbrook" came from. The building is a Neo-Classical style building which is. Then home is covered in stucco and it is an L-shaped brick building. The 1913 news article in The Tennessean described a hall and the "Adams room" (drawing room) finished in Italian marble and white mahogany. The home also had French and English wallpaper and Persian tapestries throughout. The second levels floors were covered in white enamel, and there is mahogany woodwork. There was also a spring house on site with a water plant, garages and servants houses.</p><br>
<p>The Deer Lodge Central Business Historic District, in Deer Lodge, Montana, in Powell County, Montana, is a historic district which was listed on the National Register of Historic Places in 2008.</p><br>
<p>The 13 acre district includes three blocks on both sides of Deer Lodge&#39;s Main Street between Cottonwood Ave. to the north and Montana Ave. to the south, and the closer sides of two blocks of 2nd St. and 4th St. (Main St. is effectively 3rd St.) This includes 61 main buildings, of which 46 are contributing buildings, and three auxiliary buildings.</p><br>
<p>It includes the Rialto Theater (1921), at 418 Main Street, which was separately listed on the National Register in 1998.</p><br>
<p>The district includes early Western Commercial, Late Victorian, Classical Revival, and Romanesque Revival architecture.</p><br>
<p>Buildings in the district includes some Early Western Commercial works, built before approximately 1884. These are single-story, wood-frame or brick, with a tall, false-front covering a gabled roof extending behind it, some of them being free-standing (in contrast to most other buildings in the district which share adjoining walls). These include:</p><br>
<p>408 Main Street (built between 1884 and 1888), which served as a saloon. It has a stucco and log exterior on its street-facing facade. Like most other early Western Commercial buildings in Deer Lodge, it is "unadorned and has a centered, recessed entry with plate glass windows on either side that angle in toward the door."</p><br>
<p>209 Missouri Avenue (built between 1884 and 1888), an old firehouse which served as the citys fire station until 1919. It is woodframe, on a cement foundation, with a brick veneer that has been covered in horizontal wood cladding. It has a recessed entry like 408 Main Streets. Its only architectural detailing is a wood cornice with pairs of wooden brackets, on its front facade.</p><br>
<p>304 Cottonwood (built 1884, with additions soon after), "an excellent example of an early Western Commercial building that is two-stories... Although the building has been remodeled, it is the only building example of this early Western Commercial style that exhibits a porch and balcony. "</p><br>
<p>Other buildings in the district include:</p><br>
<p>Larabie Brothers Bank (1912), 401 Main Street. This two-story building is "an excellent example of a Western Commercial style building with Neoclassical Revival influence..." It was reported at time of the 1912 opening that "the honor of making the first deposit went to the architect supervisor of the building construction, M.J. Beezer of Seattle, Washington (The Silver State, March 27, 1912:1)."</p><br>
<p>Deer Lodge&#39;s First Presbyterian Church (also known as Mary Ann Larabee Memorial Presbyterian Church) and its old St. Josephs Hospital, designed by Beezer Brothers.</p><br>
<p>Bonner Building (or Bonner Block) (1879 main level, 1909 second story), 329 Main Street. This is a "Western Commercial style building with Victorian influences". It "is a two-story, flat roofed brick building with commercial space on the main level and sleeping rooms above. The building is unique in that the main level displays much less ornamental detailing that the upper level. The differences in style reflect the dates when each story was built."</p><br>
<p>Coleman-Lansing Building, which has a Mesker Brothers facade.</p><br>
<p>Deer Lodge Bank & Trust Co. (1921), 430 Main Street.</p><br>
<p>Grant Hotel (1908-1912), 201-205 Missouri Ave</p><br>
<p>Hotel Deer Lodge (1911-1912), 322-328 Main St.</p><br>
<p>Masonic Temple (1919), 501-503 Main St.</p><br>
<p>The Sylvester K. Pierce House, also known as the SK Pierce Victorian Haunted Mansion, or just the Victorian Haunted Mansion, is a historic house at 4 West Broadway in Gardner, Massachusetts. Built between 1873 and 1875 for a local chair manufacturer, it is a prominent local example of Second Empire architecture and is well known for reports of paranormal activity. It was listed on the National Register of Historic Places in 2022.</p><br>
<h2>Description and history</h2><br>
<p>The S.K. Pierce House is located in the village center of South Gardner, on the south side of West Broadway abutting Union Street, and across from the South Main Street junction where East Broadway meets South Main, also otherwise known as Route 2A. At nearly 7,000 square feet, its ceilings are 11 feet tall, there are 10 bedrooms and 2.5 baths,</p><br>
<p>The house was built between 1873 and 1875 for Sylvester K. Pierce (1820-1888), a native of Westminster, who moved to Gardner and became involved in the locally-prominent chair manufacturing business which eventually would lend Gardner its "Chair City" title. He purchased his own factory at the age of 25, located just across the street from the site of this house, and became one of the citys most successful businessmen of the period. This house was designed and built for his family by E. Boyden & Son, a prominent Worcester architect, and took three years of painstakingly detailed work to complete. Pierces son converted the house into an inn, with visitors including former United States President, Calvin Coolidge, artist, Norman Rockwell, and a number of stars from stage and screen. The building declined during the 20th century, but its features were sufficiently preserved enough that an early 21st century restoration returned it to its previous grandeur. The current owners offer tours of the house and opportunities to spend the night in search of alleged paranormal activity.</p><br>
